DRAMATURG'S NOTES
The variety of cultures found in New York City has inspired such phrases
as "melting pot" and "mosaic." Such an environment is represented in
the theater world's first concept musical, West Side Story. Director and
Choreographer, Jerome Robbins first proposed the idea to update one of
William Shakespeare's most widely known tragedies, Romeo and Juliet, in
1949. Robbins' and Leonard Bernstein's original idea was to write a musical
entitled East Side Story, which would tell the tale of a boy from an Italian
street gang who fell in love with a Jewish girl. The project later evolved into
the historic musical audiences know.
Despite the stage version's popularity, many audiences are more familiar with
the 1961 film. Much of the original dialogue was kept, however some content
was deemed potentially "objectionable" and was altered. Characters such as
Ice, were added to the film and several musical numbers such as "cool" were
either rearranged or changed completely.
The nation's post World War II economy had shifted to exclude many of
the blue-collar jobs which had previously been held by the lower income
residents of New York City. Due to financial troubles, tight housing plans,
and rising crime, tension ran high in the world's melting pot. It was these
circumstances which drove many of the city's young people to form and join
street gangs to defend their neighborhoods and fight for their "turf."
In 1957, West Side Story appeared on stage for the first time as what
Leonard Bernstein hoped would be "an out and out plea for racial tolerance."
In 2009, it will appear on Broadway once again; directed by its librettist,
Arthur Laurents.
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