DRAMATURG'S NOTES
With Jake's Women, Neil Simon brings his semi-autobiographical style to a
passionate, romantic, and evocative level not normally seen on a comedic stage.
His mastery of subtle humor and witty dialogue deepens by focusing on Jake's
two-act struggle to forgive his family, trust others, and truly love those closest
to him. A wife, a daughter, a sister, a girlfriend, a psychologist, and the ghost of a
former love fight to show the man they care for it's all right to feel. The problem?
Jake's years of dishonesty and shattered relationships have crippled his perception
of reality. We see a man lost in the most terrifying place a writer could imagine:
his own mind.
While this might not be the most widely known work in the Simon canon, the play
certainly attests to his artistic brilliance. Jake's Women may not have the physical,
slapstick comedy seen in The Odd Couple (1965) and California Suite (1976) for
example, but it does provide a personal character study capable of entertaining
an audience with humor one moment while accentuating the magnetism of a
well-crafted relationship the next. What else can we expect from a man with
three Tony Awards, a Golden Globe, and a Pulitzer Prize?
Who is real in this New York City loft? What does it take to love while on the brink
of insanity? Can a self-centered, narcissistic writer learn to sacrifice the protection
of isolation for the strength of commitment? Director Earl Weaver and his cast try
to answer those questions in their interpretation of Jake's Women. Enjoy.
|